Archive for the ‘Guest Post’ Category

A professional comment on the Manchester Evening News’ Facebook-only comments

Monday, February 4th, 2013

Chris Jones is Creative Director, and Ballon Pilot, at Blueleaf- a multi award-winning digital agency. The company designs and builds websites, mobile sites and social experiences that engage with huge audiences, turn over millions, and build brands. Clients include Red Bull, Samsung, Laura Ashley, Next and Co-operative Energy

MEN’s recent announcement of a new website was met with a plethora of comment, good and bad, which at least shows people care; something positive in what is a difficult period for the local press.

Regarding the most contentious issue – the fact that you can now only comment on articles if you’re a Facebook user – let’s look at what the positives and negatives might be.

I can only assume the MEN feel that it will give them more control over comments, that it’s an easy way of implementing the facility and are perhaps hoping that it takes the pressure off them with moderation. What strikes me about this is that they are all positives for the MEN, not their users.

 

The web is at its best when it’s open, easy to use and serves the needs of its visitors. The negatives of restricting comments to Facebook members are obvious. You’re ruling out millions of people. Despite the astounding statistics we regularly hear about the number of Facebook users (currently thought to be just over half the UK population), that’s just under half the population you’re preventing from getting actively involved with the MEN.

And it’s not just the people who don’t actively use the web anyway. Even within the digital agency industry, I know plenty who don’t use Facebook simply because they don’t like it, don’t see the point or disagree with its privacy policies. Being forced to sign up to a Facebook account just to comment on an article is asking way too much. Fair enough to offer comment through Facebook, but other options should be available.

Another negative is that the MEN risk diluting things by adopting Facebook. Do they really want the MEN so closely associated with another brand over which they have no control? Do they want to confuse what could be a simple registration by doing it through a third party?

The local press is struggling to find its place in this brave new digital world and at a time when the public are questioning the need for their services, I can’t help but think that the worst thing the MEN could do is restrict opportunities to interact with the public.

 

 


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A better way to win new business?

Wednesday, November 7th, 2012

Sarah Bradley, Managing Director of Acquire New Business and Founder of the not-for-profit Northern Soho organisation reveals her latest venture and aims to inspire a new way of business development for creative businesses.

The Art of New BusinessNovember 27th will see the first Manchester event for The Art of New Business, a support and development network for new business professionals working in the creative and marketing industries. I co-founded The Art of New Business (or TAONB ) with Karla Morales-Lee, a London based new business consultant after we met on twitter 18 months ago.
After meeting Karla it quickly became apparent that we were both fixated by the same question – Why is it that new business practices are largely the same today as they were thirty years ago?
We decided to set up The Art of New Business to facilitate a discussion on a ‘better way’ to do new business, because winning new business is a lot harder than it used to be – there are more agencies than ever before, saying the same things to the same people in the same way.
In fact, a programme of research we carried out recently with client side marketers showed that the vast majority of approaches from agencies failed to show any understanding of their businesses and left the recipients with a very poor impression. 60% of those we interviewed said that they get approached so frequently by agencies that it is an impediment to their daily work.
The problem is that for too many companies, their new business people work in isolation, managed by people who have little understanding of new business themselves, pursuing a strategy focused on securing meetings rather than opportunities. What’s more, there is nothing in the way of an existing support network and no formal training programme for creative industry business developers – taken together, it’s little wonder that some people are still advocating outdated methods.
Our vision is to create a UK network of Business Development professionals and people responsible for new business within creative and marketing agencies, who can share their challenges, concerns, build friendships, provide support to one another and share best practice. We want to lead the search for ‘a better way’ to go about winning new business. That means better people, better processes, better tools and better results.
Our first event in London on 10th October received a fantastic review in Campaign, and the Manchester event promises to be just as good.
We’ll be celebrating the ’Manchester Mavericks’ – inspirational entrepreneurs who have approached business development in a different way and have achieved success.
In the words of the great late Tony Wilson “This is Manchester, we do things differently here..”
We have a great group of speakers including Brian Child, ex-CEO of McCann and non-exec director of a number of other agencies, Adrian Lomas, Managing Director of Blue Leaf, Chris Marsh, Head of all the things nobody else will do at Melbourne Server Hosting and Simon Calderbank, Business Development Director at Studio North.
Our panelists include Trevor Cairns, CMO of Umbro and Tony Spong of the AAR.
If you are a new business executive, manager or director, or are responsible for your company’s new business activity, we’d love to see you there.
For more information and for tickets, visit here and follow @theartofnewbiz on twitter.

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T Time: Why I hate the Paralympics

Monday, September 3rd, 2012

From working as an editor in the UK, to taking charge of a Hong Kong magazine, industry journalist Tony Murray has formed innumerable opinions. Interested to hear a few we invited him to share his thoughts via a regular guest blog. Use the comments form below if you have any feedback or written bile to spit as a result, and please remember; if you don’t like it, he doesn’t work for us…

“And finally (bong!) today, in London, a man with no legs ran a 100m in less than three minutes  (bong!)….” It’s been billed as a continuation or even the successor to this summer’s Games, but actually the Paralympics looks ever more like the skateboarding duck of the Olympic world.

In truth, the Paralympics is a difficult event. It taxes the media to maintain the myth that it’s Just as Significant and No Different to the Proper Olympics. It also forces the public to take a view of it that sits somewhere between patronising and a sort of awkward, half-hearted acceptance.

After all, we’ve just had weeks of physical specimens, honed to a peak of highly-trained perfection, holding aloft gold medals, symbols of the highest levels of human achievement.

Blokes across the country have feigned interest in cycling and hurdling, while concealing a semi- at the thought of a lycra-clad Jessica Ennis or Victoria Pendleton bending over to pick up a spoon. While, for the ladies, there were twittered pix of Tom Daley in his Speedos.

How, then does this parade of Adonii sit alongside the Paralympics? While good-natured ribbing resulted from any mention of Olympic tickets for the Women’s Beach Volleyball, how would we react should an office member brag of a similar allocation at the Paralympics? Unless they had a relative on the team, that is. We’d feign approval, of course, but would there be a non-PC hint of discomfort nestling there?

The problem of squaring the able-bodied Olympics alongside its more physically-challenged companion is not a new one. Back in 2008, the Chinese government printed a special booklet of advice for volunteers helping out at the Beijing Paralympics.
Volunteers, it read, should be aware that physically handicapped people tend to be miserable, truculent and difficult to handle.

The booklet was swiftly pulped following an international outcry. While the Chinese booklet clearly highlights the huge problems the PRC has with dealing with less than perfect specimens of humanity, it does – no matter how ham-fistedly or mistakenly– acknowledge a difference. Something you’d be hard to distinguish in the 2012 media approach.

Over the weekend, to somewhat muted coverage, Daniella Peers, a member of the Canadian wheelchair basketball team at the 2004 Athens Paralympics, billed the event’s 2012 incarnation as a “freakshow”.

Commenting on the media treatment of this year’s tourament, Ms Peers said: “They [the media] are always referring back to the idea that disability is this tragic, horrible thing in our bodies. Focusing on bodies as the root of disability is like seeing racism as a problem of skin colour.”

Much though I hate to disagree with a bronze-medal winning Paralympian, even a Canadian one, I wonder if she’s not missed the point pretty much entirely. Surely the ultimate insult to these physically-challenged athletes is to treat them exactly the same as the specimens of human perfection that preceded them?

Does anyone really believe that Zara Phillips had to try a tenth as hard as Ellie Simmonds to get on the winners’ podium? While having Prince Phillip as a granddad is certainly some kind of handicap, it’s clearly preferable to short-limbed dwarfism. Well, probably.

The media coverage of the Paralympics brings into relief a clear problem of the Times We Live In. We’ve started to confuse equality and homogeneity. Differences have to be papered over, rather than considered or celebrated.

Frankly thalidomide athletes with their arms aloft in conscious mimicry of the poses struck by the long-limbed athletes of a month ago look a little lacking in dignity. Even grotesque, though it’s hardly permissible to say – or even think – so.

Should these athletes, at the behest of some poolside photographer, really be expected to adopt the ill-fitting template of their “physically-perfect” predecessors?

We live in mad Alice in Wonderland times, times where, as the Dodo decreed, all must have prizes. Everyone, in short (or, even, if short) must be treated exactly the same, no matter what their age, creed, colour, intelligence or physical prowess. This is regardless of their needs, preferences or culture. Taken to extreme, as it was over the weekend, this sees parents complaining that their offspring have failed their English GCSEs just because they’re semi-literate. Shame.

The Vulcans, as so often, have a word for it. Unfortunately that word is IDIC – Infinite Diversity in Infinite Combinations. As maxims for life derived from short-lived American TV sci-fi shows of the 1960s go, it’s clearly not a bad one. It’s certainly several up on “Danger, Will Robinson, danger…” which lacks a somewhat more general application.

The Paralympics is not the Olympics and the media should stop pretending it is. While the Olympics celebrate the perfection of the human form, the Paralympics celebrate the sublime nature of the human spirit in overcoming adversity. It’s no sin to say one is less photogenic than the other.

Perhaps the true beauty of the Paralympics is that it is one event that brings into sharp focus those twin contradictions of contemporary life – an abject body fascism and an obsession with pretending everyone is fundamentally the same. If it takes a paraplegic on a podium to bring that one into relief, well so be it.
Live Long and Prosper Y’all. Well most of you.

Tony Murray is Managing Editor of Gafencu Men in Hong Kong. He was previously editor of Adline and group managing editor of the Carnyx Group, publishers of The Drum and former publishers of The Marketeer. You can contact him at tonymurray37ATgmailDOTcom

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T Time: How Do is done

Monday, August 6th, 2012
Regular guest columnist, Tony Murray- managing editor of Gafencu Men magazine in Hong Kong, former editor of Adline, The Marketeer and The Drum- offers his own opinions, not that of Smoking Gun PR, on medialand’s latest news. Click here for his blog, and more of his thoughts.

It’s 5pm in old Hong Kong town and old Hong Kong town habits die hard.  Back in Blightyland it’s 10 am. Old ladies have, by now, been scrutinising Tesco’s vegetable aisle for only the finest radishes for nearly three hours, piles of today’s unread Metros are en route to be recycled into next week’s unread Metros and it’s time for How-do’s first update of the day.

Trepidation grips aficionados of the North West regional marketing and media scene, from Macclesfield to Mong Kok, from Wythenshawe to Wan Chai. What will this new day bring? Which PR consultancy will be claiming a client of seven-years-standing as a new win? Which digital agency will have amicably parted company with whom? Which transparent company re-branding exercise precedes a looming liquidation, well-known to all, apparently, save the How-do Crew? The community aggogles.

Sadly, in a little corner of England with the M3 postcode, it is forever Tuesday May 8th. About four O’Clock. With Groundhog Day predictability, Sly Bailey has, once again, resigned as chief exec of Trinity Mirror, Creative Concern is still looking to re-brand the new Cornerhouse and Karen Young, co-founder of the “Manchester-based integrated agency KMS Media” has, apparently, wrapped The Wrap. Forever.

Some things smack of serendipity. Whose morning would not be brightened by forever re-reading of Sly Bailey’s dismissal, the woman to whom the “Bring Back Maxwell” ceramic mug industry owes the whole of its turnover? Why was she ever appointed? Trinity Mirror senior appointment-making top guys, the clue was in the name. Learn a lesson and strike Sneaky Bushmills off your short-list now.

Fair play to Karen Young, though, she maintained one vital How-do tradition to the end. Her farewell Wrap was self-serving, lacking in insight and mentioned football. It was as if she knew. (For those still curious as to the name Creative Concern opted for for the transplanted Cornerhouse, I’m reliably informed it was “Beryl”).

On a more serious note, for five years How-do served the industry well. As an on-line brand, it came from nowhere, the product of proprietor Nick Jaspan’s post-Northwest Enquirer brooding. It emerged at a time when the Manc community, in particular, was facing its biggest change since the fax made regional sales representation obsolete (somewhere around 1986). It was, of course, the news that one of the world’s biggest broadcasters was coming to town – well the bit of it that comments on speedway races and makes primary-coloured non-peak time fare for prepubescents and stoned stus.

It would be invidious to single out one individual story or thread that nurtured the North West community’s love affair with How-Do, though it’s on-going fascination with Channel M and bemused pursuit of Michael Welch (the ill-starred fraudster who defrauded the NWDA of £440,000 before it had the chance to squander it on “hearts and minds” campaigns and pitching processes of bewildering length and complexity) strike me as particular highlights.

In the end, it was the sheer volume and variety of material that How-do carried that has ensured it is missed to this day. It may have lacked a degree of editorial judgment, allowing a number of organizations to get away with pretty much anything this side of nun-buggery but, in the end, it was this ‘honest broker’ approach that ensured it lasted as long as it did. How-do bore no grudges and made no judgements. It didn’t unduly promote advertisers, nor smite those that declined to help with the gas bill – a lesson that others in the sector should learn from, but won’t.

During its five-year run, How-do became part of the daily routine for media owners, PR consultants, advertising agencies, digital companies, designers and even seemed to crack the client market. It went on to stage the How-do Awards, the NW industry’s largest annual awards gathering since the hey-day of the Roses (any day pre-August 1999 frankly).

It departed the scene just as the BBC move that inspired its launch finally became a reality. The volume of material that was its every day diet is now restricted to individual company’s websites and the occasional nib on the MEN Monday media page.

Is this a loss? Well yes. The mere existence of How-do was a testimony to the vibrancy and diversity of the North West media and marketing community. Even the bits of it that are in Liverpool. No other area of the UK, outside of London, could have sustained such an on-line entity.

Will it be back? Well no. I doubt it. The wrangling that surrounded the abortive merger between How-do and Manchester Confidential has left Nick Jaspan, the project’s undoubted auteur, unlikely to return to the fray.

Even Mark “Gordo” Garner the serial-proprietor behind ManCon could not replace Jaspan at the How-do helm, though we should be grateful for the mature, reputation-enhancing and dignified manner with which he has comported himself since HD’s unfortunate demise.

How do. How did. How done.

How-do.co.uk may be gone, but you can still get nearly 40 per cent off a glass of prosecco at the Kaleido Bar and Grill (near Urbis) thanks to ManCon.
God bless yer.

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Guest post – My first taste of agency life

Friday, January 13th, 2012

We’re pleased to have another guest blog post, this time from our most recent work experience placement – Danielle Stott.

Before my time at Smoking Gun, I’d never had the chance to sample agency life.

University teaches you all about PR. You learn how to write a press release, all about Grunig and his theories, get an insight into marketing and start to produce a portfolio. That’s all you could possibly need to know to head straight into the world of PR, right?

Not exactly.

Don’t get me wrong, University is fantastic and a great experience. I know my degree (touchwood!) will be incredibly useful in the future and I really have learnt a lot, but it doesn’t really help in knowing what it’s actually like to work in an agency. The daily routine, and producing work for an actual client is something you could never learn in a classroom.

Throughout my placement I’ve found myself writing press releases, searching the news for stories that relate to our clients, and researching and contacting bloggers who would be interested in one of our projects. I’ve been able to gain a real insight into the clients, and the different work the agency does for them. Knowing that the work you’ve helped with could gain coverage for real clients is much better than gaining a 2:1 in an assignment!

My time at Smoking Gun has given me the opportunity to not only help out with agency work, but also observe the team doing what I hope to be doing in the future. In my opinion, there’s no better way to learn than by throwing yourself into it, and taking in everything from people who do the job everyday. Working at Smoking Gun meant I had the chance to get real opinions on my work, and see firsthand what it would be like to do the job I’m learning about at Uni.

The experience of working in an agency is something everyone who wants to work in PR should try, and Smoking Gun was definitely a great place for me to start. The team couldn’t have been more welcoming and helpful, and I leave with a fresh knowledge and excitement about PR.

The question remains, however. Has it put me off working in an agency?

Absolutely not!

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Guest post – Digital strategies and galactic warfare

Thursday, December 8th, 2011

We’re extremely proud to introduce our next guest blogger, Mark McGee @Mark_McGee. Vice-President of Communications for a not-for-profit trade association, and a freelance digital marketing consultant, with a 21-year career in the creative and communications industries (16 of which involved digital), he has worked on nearly every aspect of digital, from strategic planning through design, coding and on-site optimisation, to analysis. He is currently completing his dissertation for Econsultancy’s MSc in digital marketing.

The Cylons had a plan. So should you.

In 2003, sci-fi fans were treated to a re-imagining of a classic series: Battlestar Galactica. At the start of every episode we were told that the Cylons “had a plan” but what this plan actually involved was shrouded in mystery for much of the four seasons that the show ran for. It wasn’t until the 2010 release of a special mini-feature, aptly named The Plan, that we had an insight into what was going on in the brains of these (bio)mechanical antagonists.

After watching this feature a few times (alright, more than a few times) I began to see a correlation between what the Cylons were doing and one of my favourite digital marketing planning models: SOSTAC®. So, I decided to see if it really did match. And, by the Lords of Kobol, it did!

This shows that the Cylons understood the need for a robust plan of action and the ability to adapt it to events that occur during its implementation. There is no excuse for you not to have one for your digital marketing activities.

Of course, the Cylons’ plan involved genocide, nuclear destruction, killer robots, sleeper agents, seduction and betrayal, but I probably wouldn’t recommend these for your next email campaign strategy.

CLICK TO ENLARGE INFOGRAPHIC

Situation analysis

THE CYLONS

  • Exiled from the Colonies since Cylon War 40 years ago
  • No contact with Colonials since end of Cylon war
  • Still seen as ‘enemy’ by humanity
  • Perfected ‘Significant Seven’ human/cylon models with assistance of ‘Final Five’
  • Basestars, Raiders and Centurions upgraded in large numbers
  • Resurrection technology achieved

SOSTAC®

  • Where are we now?

DIGITAL MARKETING

  • Goal Performance
  • Customer Insight
  • E-marketing SWOT
  • Brand Perception
  • Internal capability and resources

Objectives

THE CYLONS

  • To be favoured above humanity by ‘Final Five’
  • To be in total control of the Twelve Colonies
  • To live in peace without fear of human reprisal

SOSTAC®

  • Where do we want to be?

DIGITAL MARKETING

  • Sell: customer acquisition and retention targets
  • Serve: customer satisfaction targets
  • Sizzle: site stickiness, visit duration
  • Speak: trialogue; number of engaged customers
  • Save: quantified efficiency gains

Strategy

THE CYLONS

  • Disable Colonial defence mainframe
  • Destroy Colonial fleet’s ability to respond
  • Annihilate human race throughout the Twelve Colonies
  • Teach ‘Final Five’ a lesson for their “foolish appreciation of humanity”

SOSTAC®

  • How do we get there

DIGITAL MARKETING

  • Segmentation, targeting and positioning
  • OVP (online value proposition)
  • Sequence (credibility before visibility)
  • Integration (consistent OVP) and database
  • Tools (web functionality, email, IPTV, etc.)

Tactics

THE CYLONS

  • Insert ‘Final Five’ into Colonial life with false memories
  • Insert sleeper agents and ‘Significant Seven’ models into Colonial fleet and other positions of value
  • Obtain backdoor codes to Colonial defence mainframe
  • Simultaneous attack on all Colonies

SOSTAC®

  • How exactly do we get there?

DIGITAL MARKETING

  • E-marketing mix, including: the communications mix, social networking, what happens when?
  • Details of contact strategy
  • E-campaign initiative schedule

Actions

THE CYLONS

  • ‘Ones’ to oversee implementation
  • ‘Twos’ to act as infiltrators and monitor military installations
  • ‘Threes’ to act as infiltrators
  • ‘Fours’ to infiltrate as medical specialists
  • ‘Fives’ to infiltrate and sow seeds of discontent or confusion
  • ‘Sixes’ are to infiltrate and use seduction to obtain backdoor codes to Colonial defence mainframe
  • ‘Eights’ only one model is to be inserted into Colonial fleet as a sleeper agent
  • ‘Hybrids’ to control and coordinate Basestars
  • Basestars to simultaneously attack all Colonies, defence outposts and Colonial fleet
  • Raiders to mop up remaining defences
  • Centurions to hunt down and destroy remaining Colonials

SOSTAC®

  • Who does what and when?

DIGITAL MARKETING

  • Responsibilities and structures
  • Internal resources and skills
  • External agencies

Control

THE CYLONS

  • Determine number of Colonial casualties
  • Colonial fleet destroyed
  • Monitor for survivors
  • Gauge reaction from ‘Final Five’
  • Revise plan if necessary to achieve objectives

SOSTAC®

  • How do we monitor performance?

DIGITAL MARKETING

  • 5Ss + web analytics – KPIs
  • Usability testing/mystery shopper
  • Customer satisfaction surveys
  • Site visitor profiling
  • Frequency of reporting
  • Process of reporting and actions

Disclaimer & credits

SOSTAC® is a planning model, originally developed in the 1990s to help with marketing planning by PR Smith, who is Dave Chaffey’s co-author on Emarketing Excellence.

Battlestar Galactica and related content is © 2011, Syfy (a division of NBCUniversal). All rights reserved. No copyright infringement intended, used for illustration purposes only. Reference information from Battlestarwiki.


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Guest blog: Understanding Google

Tuesday, October 11th, 2011

Will Grant is a web technology professional interested in disruptive technology, usability and ideas. He blogs at willgrant.org and is a director at web consultancy firm Bitcala.

Understanding Google

Examining Google’s products in a systematic way can give some clear indications as to their strategic objectives for the future.

Google took $28bn in revenue during 2010 from selling keyword ads. AdWords is the revenue centre of Google’s entire global operation and it’s the part they seek to protect most keenly.

They do this by either owning a space, or making it so open that nobody can own it and get closer to the top of the ‘stack’ – which would allow them to get ‘eyeballs’ on a new, rival keyword ad network…

This diagram attempts to show the main layers between a user and the internet:

Fig 1. Google have a key product at (nearly) every layer between a user and the web.
Search

Google’s search is free to users, and free to content owners who want to be indexed. It’s also the main platform where AdWords are shown – making search the source of the ‘eyeballs’ for their key product.

Add into this YouTube – which, if it were a search engine, would be the second-busiest search engine after Google. YouTube is a key display location for AdWords and is starting to look like a smarter buy for Google than it was at the time when many thought it over-priced.

Because search is the key location for AdWords, it’s also Google’s top priority to protect. Although Microsoft’s Bing has gained ground over recent months, it’s been at the expense of Yahoo – rather than Google, who are holding steady.

The WWW and Google Plus

Google’s index contains trillions of pages (they don’t release the total number anymore) but it’s still based firmly around keywords.

Simple text keywords may or may not be the best way to find information on the web – but it works with AdWords and that’s the key reason to maintain the status quo.

It’s likely we won’t see significant innovation from Google that improves search beyond keywords in the near future.

Google Plus could be seen as a layer between the web and browser – providing a social-sharing mechanism on top of content, but keeping that traffic within Google’s Ad network and statistical insights.

Browser

Chrome not only reinforces associations to Google and uses Google as default search – but – critically, because it runs JavaScript faster, it drives innovation in online applications and gives Google a de-facto hold into the emerging standards that define the web.

The browser that Chrome is derived from (Chromium) is open source – and therefore can be examined and pored over by security geeks. The Google-sponsored derivative Chrome is not, and there’s no way to know exactly what data it’s sending back to the Google mothership.

This doesn’t concern most people, but it’s yet another way Google can gain a deep understanding about your online behaviours to, yep: sell more AdWords.

Android and Chrome OS, and Android devices

The advanced, impressive Android OS is free and commoditises the mobile space – ensuring that neither Apple nor RIM (nor Nokia, Samsung, etc) have a monopoly on mobile device usage from which to build an advertising layer.

The ChromeBook, Google’s web-only computer, is another strategic move to control the device on which people use the web. The ChromeBook is the web, and, as the trailer says – you can do pretty much everything on the web now with Google’s services.

http://www.youtube.com/watch?v=TVqe8ieqz10

The apparent failure of Apple’s iAd network seems to attest that this plan has succeeded for Google so far.
Network

The one part of the stack that Google haven’t yet managed to ‘own’ or ‘open up’ – but their $12.5bn acquisition of Motorola shows that they’re serious about working at the device and network level.

Telecoms firms dominate, charging for data by the Gb (or roaming at £6 per Mb, shame on you O2) and confusing customers with restrictive tariffs and packages.

For Google, this tighter integration between your home network, mobile devices, Google’s services and the advertising they display can only be a profitable move.

I for one would love to see some real innovation and improvement in the mobile and telecoms space – the market is ripe for disruption and consumers deserve a much better deal.

Could Google be the company to do it?

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Not Always App-propriate

Thursday, June 30th, 2011

Peter Craven is the joint managing director of Madhouse Associates, a Manchester based integrated marketing agency which boasts Toyota and Motorola amongst it’s enviable client list. In this guest blog post Peter gives his opinion on following the latest marketing trends.

The media landscape is constantly changing, particularly with the incessant growth of the digital realm, making this a truly exciting time to be in marketing. It’s no surprise then that a lot of clients approach agencies wanting to be part of the latest marketing trends, whether that be apps for iPads and smartphones or new social media outlets. We believe each of these channels is brilliant for targeting specific audiences (and we’re as addicted to Angry Birds as the next person); however, unless it’s relevant to your sector or your company, why waste time and budget simply jumping on the bandwagon?

Too often clients want to follow the zeitgeist after hearing stats such as ‘over 10 billion apps have been downloaded’*, without first considering whether it’s the right route for their brand or communications strategy. How well will these new channels help them achieve their business objectives? What is the strategy and insight informing their investment? And how they will measure the return on that investment?

In the light of this constant development of new channels, we’ve found ourselves asking what sort of agency is best placed to serve clients’ needs. The fact that we are an integrated agency – able to act as an extension of each client’s marketing team, introducing a wide range of skills and insights as required in response to every brief – is our answer. Among our many strengths is the fact that we lead with strategic planning, and then have the resources to fulfill our proposals.

Because we are an integrated agency, we can take a wider look at each client’s business through our planning department, which in turn allows for the brand to remain at the heart of any strategy. It’s this that allows us to move way beyond the instant app-happy digital showboating, and consider the very best strategy according to every client’s specific requirements.

Perhaps it is enough to simply remember this: next time a marketeer approaches you and says, “Let’s make an app”, no matter how many great examples they can quote, it might not be the right move for your business. You need to assess how it will benefit your company and meet your stated business goals. And if you’re unsure, feel free to pick up the phone and we’ll see if we can help.

*Since the launch of the Apple App Store in July 2008 (www.apple.com/uk)
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G’day! An upside down look at consumer PR

Friday, February 11th, 2011

Lorna O’Neill is a highly regarded PR who has worked at some of the best agencies in the North of England before carving an enviable reputation for herself Down Under. In this guest blog she casts an eye over the different challenges facing consumer PR agencies compared to back home. And, unbelievably, she manages to avoid discussing her beloved Liverpool FC:

When I moved to the other side of the world to pursue my career in PR I thought, new media to learn, contacts to make but how different can it be, right? Wrong! Moving to Sydney Australia has been a learning curve from start to finish.

I am an account director for a leading consumer PR agency in Sydney, Polkadot PR with clients across a spectrum of sectors including beauty, fashion, health & wellbeing, food & drink and leisure/lifestyle.

Ok, of course, some things remain the same – clients work with us because they want us to manage their reputation, build their brands and get people talking about them. And we do it very well.

The challenge has been carefully adapting what tactics I might have employed back in the competitive UK news media landscape to the Aussie one. The changes are often minor but nonetheless important.  Here are a couple of insights into the life of an Aussie PR consultant….

NEWSPAPERS
I always knew that selling in to the media at home was tough – if your story doesn’t have ‘legs’, forget it, but I realised just how tough when I moved away from it and came here two years ago. For a country of such a vast size, you would be amazed how few newspapers have a ‘national’ scope to sell your story in to. With only one, true national newspaper in ‘The Australian’ it is extremely business, hard news and political in content. You can forget your consumer survey story on how we are a nation of secret snackers or 1 in 3 of us think about a famous person when we are having sex!

Next is what we call the ‘metro’ publications which cover the states (New South Wales, Victoria, South Australia and alike). The Daily Telegraph (Sydney), The Herald Sun (Melbourne), are all examples of these and are slightly ‘softer’ in content but still very much cover the harder news with a mixture of both national and metro focus. I would say that I see on average, just two or three PR-led stories per week in these daily newspapers. Wow.
In light of tragic storms, floods and cyclones over here in the last two months, all of the newspapers have been very much doom and gloom, not the time to sell in light PR stories. That’s where there is no difference between here and the UK. To be a strong consultant you have to be across the media agenda and know when the time is right for your story.

The best bet for PR in the newspapers here is mX – this is the free daily newspaper handed out on the buses and trains and a great read (exactly like the Metro). They love a good picture story, stunt or quirky consumer survey. mX is tailored for Sydney, Melbourne and Brisbane once again but with the majority of content syndicated across all three, giving us PR’s that much needed national scope. Get your client in mX and they’re delighted!

Then you have your regional and suburban newspapers. The best reference in UK terms is your Manchester Evening News (regional) and Ormskirk Advertiser (suburban – had to get that one in being my beloved home town and all). Now you must put this in perspective, the MEN is how far from the Bolton News or Liverpool Echo…30 min to one hour drive max? Here down under, you’re talking anything up to 8 hours’ drive between towns. I still find it hard to comprehend, so unless your story or product is truly as local as it gets, it can be tough to get in, as essentially, many of these suburban towns (with one post office, one pub and a corner shop), no disrespect intended – would have no idea what you’re on about.

CONTENT
To be a great consultant in the UK, and why Smoking Gun gets such great results for its clients, is because they know the media inside-out. They know where you fit, where you don’t and if you don’t how to make it happen. Here down under it’s no different and the biggest challenge when you first move here is not having the luxury of having grown up as a child reading the Sunday newspapers with your Dad. As well as learning the media for your job, you can’t undervalue how much it being part of your whole life makes you ‘know it’. Here it’s like starting from scratch and where I take pride from my experience is how much I personally threw myself into this area, ensuring I was strong offering to a potential employer. It was refreshing too – still is. I LOVE the media, so learning a whole load of newspapers, magazines and websites was a joy.

Even across such a small range of ‘national’ newspapers, one thing here is very prevalent. You just can’t be too shocking or risqué. Forget survey stories that lead with a quirky sex angle or pictures of women with their breasts out. I have a 19 year old colleague here, starting his career having moved 8 hours from his tiny village in the West to big bad Sydney. He has never been to the UK or in fact anywhere outside of Australia and literally cannot fathom that more than one of our national newspapers has a daily ‘page 3’ girl practically naked. Hilarious.

A good client example I want to share is a memory foam bra with NASA technology, so when it heats up it boosts your cleavage. They approached Polkadot PR to launch the bra in Australia to buy online after a successful launch in the UK. Well, my UK PR-head switches on and I’m in the brainstorm having a field day, “3,2,1 LIFT OFF” or “Get Horny and bigger boobs”, or asking the Sun girls if they fancy a photo shoot wearing it while rubbing each other in oil – you get the idea. Well you can forget even entertaining the word horny here or such imagery! The UK agency sent over a plethora of coverage from the UK and it was impressive to say the least, but I wasn’t surprised – of course the tabloids loved it!

So, what did we do? We crafted a really clever campaign to suit the media landscape here. A tasteful photoshoot in a space centre in Sydney for the NASA link, sexy but not, dare I say ‘page 3’ looking model, skirts with their bras rather than thongs (or a hand covering their modesty!).

The press release headline read ‘NASA TECHNOLOGY TAKES AUSSIE WOMEN’S BREASTS TO NEW HEIGHTS’ with line one utilising the ‘lift off’ tag….and it worked. A story was sold into the number one primetime evening TV show (magazine-style, like Granada Reports) called TODAY TONIGHT and a full feature on the bra’s arrival in Australia, interview with the brains behind the scientific invention and it catapulted the brand here and sales are going well. Check it out

One thing’s for sure, working over here has without doubt has been a great decision in terms of my career development and expanding my skill set. The more you experience, the more you grow and improve….but my guilty pleasure…. I can’t say I don’t miss reading about Wayne Rooney’s latest affair on a Sunday morning or daily updates on the X Factor house and its contestants. Sigh…(and thank god for the internet!)

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Are Press Release Distribution and News Wire Services worth their cost?

Friday, December 10th, 2010

We embrace the opportunities that online and digital PR offers brands and communicators here at Smoking Gun towers. Online and digital is often held as one of the great mysteries of the art of PR and we’ve noticed over recent years increasing numbers of web based but non-traditional PR business such as SEO specialists, e-commerce experts, web build companies etc all listing online PR as part of their offer.

On further investigation all too often their PR service is simply offering to use news distribution services to issue news releases online. And what are the results? We have trialled and tested various news wires our selves over the years and can honestly say we’ve never had a decent show in any media worth note. Even with stories we’ve subsequently pitched to our own national media contacts and achieved coverage.

We were very interested then to spot a debate about the merits of news distribution services being led  by Graham Parker of Parker PR and were happy to open the doors to the guest blog section to him and below is what he had to say:

I’m neither a Luddite nor technophobe when it comes to media relations and have embraced technology where I think it appropriate and it adds value to my client services.

That said, I’m a firm believer in tried and tested techniques for gaining media coverage – why mend a wheel that does not need fixing? I’m fairly long in the tooth and happy to say a graduate of the old school of relationship building between journalists and PRs – I simply don’t think you can beat knowing the person at the other end of the phone line or email address.

However, I recently decided to try out a couple of press release distribution services when I felt a client’s story deserved wider coverage than my contacts book could provide. I shan’t name the two as it seems a tad unfair to do so but it’s fair to say that one of them has been around quite a time while the other is pretty much a new kid on the block.

I signed up to both on the basis that they promised access to hundreds if not thousands of journalists and news desks, many of whom had subscribed to their services. For the relatively modest outlay I felt both were worth the punt.went with the NKOB first and was pleasantly surprised at the content in the report I got back showing me where my press release had been featured.

The report contained 54 on-line links to coverage of the press release, which looked good until I opened them up. Most of them were websites hosting the uncut press-release (with which I had problem) as news feeds. Others were simply links to connected sites such as their Digit and Delicious pages.

54 different on-line presences may look good but when you put such coverage before a client, what exposure are they really getting and is it having any influence on their target audiences? I doubt it very much indeed!

I set up Google alerts for all of my clients as part of my monitoring of comment about them. In the four weeks since the first press release went live through the distributor not one of the above 54 presences were picked up by my Google alert for that client’s name.

The report I received from the more established distributor informed me that it was sent to an opt-in list of 2346 staff journalists, freelance journalists and news desks at broadcast, print and online media outlets. It resulted in 226 unique viewings by people on that list, a 9.6% reading rate. Since it went live Google has only picked up one reference to the press release and Twitter has reported three tweets about it, whereas the feature I generated in the Yorkshire Post was reported in my in-box within hours of it going live on the newspaper’s website.

I have often wondered about the value of such services blindly sending out thousands of releases a day to journalists who know that the agency has not taken the time to call them or build rapport. I cannot help but conclude that this is, to a large extent, a wasteful exercise, an opinion I’m not alone in sharing.

Helen Marriot of Kudo Communications in East Sussex also felt the persuasive power of the wire services and ended up feeling much the same way as I do.

“This (mine) is exactly my experience. I buckled recently when I ran out of time on an account where I needed to really try and secure some coverage fast. I paid for a service and immediately realised I would have been far better serviced by getting in a temp (even someone with no PR experience whatsoever) and continuing with the tried and tested sell in to a very targeted list of key journalists. One to chalk up to experience and not to be repeated!” says Helen.

Across in East Anglia John Haschak, Managing Director of Partnership Plus says his approach to successful media coverage generation is to focus on the client’s needs and the specific journalists that cover their business.

“Although pretty unfashionable these days we also try and talk to, and meet with journalists, to build relationships and make sure we provide the information in the most appropriate form for their needs. We believe this is the best way to achieve influential coverage for clients.

“We have trialled so called press release distribution services and while the numbers at first look impressive most ‘coverage’ tends to be self-posting websites or those linked in some way to the distribution service provider. There was zero coverage in print media. No point showing any of it to the client as they would see straight through it,” says a very forthright John.

And yet there does appear to be some value in these widespread postings. Anthony Hewson at AH Copy says that as a copywriter he doesn’t do a great deal of PR but has always seen the online distribution channels as being beneficial primarily for search engine optimisation.

Interestingly this thought is echoed by the Chairman of the more established wire service I used, who says that even if a wire does not deliver much in the way of original coverage, there is value in the sort of web presence and syndication provided by many wires as it can deliver valuable in-bound links, which can be good for a client’s search rankings. He also argues that because of this the service provided by the newer wire service I used “may have delivered value for money (for my client). This does however require a fairly well-informed client in order to understand the value of such activity.”

He may be quite right in that, but I doubt that many clients sign up for a media PR campaign in the hope of increasing their SEO, as opposed to reaching key audiences through specific and targeted media.

I am left wondering though, if Google is not picking up these on-line sites just how it is helping with SEO, but then that is not my specific field of expertise.

It is true that my experience of using wires would not stand up to scientific analysis, but seeing as others share my experience I cannot help but conclude that there are questions to be asked about the value of such services. Many of them clearly do work for PRs and their clients; otherwise they would not still be in business.

A PR freelancer from Dorking informs me that she’s always had great results from using a particular wire service but strongly recommends backing it up by contacting the Press Association early in the morning to gain their interest in running with your story.

She is not alone in advocating this strategy. One leading wire service provider I spoke with said that the PRs using his service get good coverage – not just online but in print and broadcast too “though we would always recommend distribution to a hand-picked press list in parallel with using any wire service.”

Sound advice indeed, but it still leaves me wondering just how many times you have to test the variables of story content, headline, timing and relevancy etc before you see real tangible results from a wire service. It may be that my two chosen experimental releases were below par; but both gained considerable coverage via my personal press contacts when I spoke to them. It may also be that the results from such services come with just a hint of opaque mystery, which is something the PR industry as a whole can do without full stop.

Will I use a wire service again? I’m not sure, my jury is out on this one at the moment, but one thing is certain I won’t ever advise a client or a fellow PR to rely on it alone.
You really can’t beat the good old fashioned way of building relationships to get your clients coverage and while a wire service may help, you really do need to make sure you pick the right one before putting all your PR eggs in one basket.

Read the original post and more from Graham Parker at his blog.

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